Cascode Amplifier Design — Nelson Pass / 1978

Lowering distortion in power circuits without compromising their transient response remains a primary problem for designers of audio power amplifiers. Until fairly recently, the favorite technique for removing distortion components in linear amplifiers was to cascade many gain stages to form a circuit having enormous amounts of gain and then using negative feedback to control the system and correct for the many errors introduced by this large number of components. While the sum of these components' distortions may cause large complex nonlinearities, the correspondingly large amounts of feedback applied are generally more than equal to the task of cleaning up… More...

Single Ended Class A — Nelson Pass / 1995

Single-Ended Class A amplifiers have certainly hit it big in the four years since we began testing the first Aleph 0. So is this just another audio fad, or is there something fundamental about this kind of design, justifying a revival of the old approaches to amplification? When I started designing amplifiers twenty-five years ago, solid state amplifiers had just achieved a firm grasp on the market. Power and harmonic distortion numbers were the important thing, and the largest audio magazine said that amplifiers with the same specs sounded the same. We have heard Triodes, Pentodes, Bipolar, VFET, Mosfet, TFET… More...