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Christian Geldner

Christian Geldner

Hello Wayne, hello Nelson! After buzzing around in different DIY-audio forums, I finally was lucky enough to get hold of… More...
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Mark Finnis

Mark Finnis

Hi Nelson, Further to recent correspondence, I'm *very* pleased to say that my attempts at building the Amplifier4 have been… More...

Audio, Distortion and Feedback — Nelson Pass / 2008

Audiophiles seem to revel in minor controversies – vinyl vs CD's, tubes versus solid state, capacitor, wires, magic dots... and negative feedback. At one extreme, the position is that “feedback makes amplifiers perfect”. At the other extreme, “feedback is a menacing succubus that sucks the life out of the music, leaving a dried husk, devoid of soul”. The former viewpoint usually belongs to so-called “objectivists” who have a fine appreciation for electronic theory and measurements. Their opposites would be the “subjectivists” who emphasize the listening experience and often own tube amplifiers. Accusations are occasionally made that objectivists can't hear, and… More...

Construct a Class - A Amplifier — Nelson Pass / 1977

Most audio power amplifiers use class A circuitry except in the drive and output stages, where they use class B or AB operating modes to achieve high efficiency. In class B and AB modes, the output stage operates in a pushpull configuration, where one set of output devices delivers positive voltage and current and another set delivers negative voltage and current. When one set is working, the other set is turned off. This scheme operates efficiently, but has two serious flaws, the extremely nonlinear characteristic of the transistors at the collector cutoff region and the turn-on/turn-off times of the devices.… More...

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