Balanced Zen Line Stage — Nelson Pass / 1997

The popularity of the Zen projects points out the interest in very simple linear circuits. They are intended to fuel that interest. The Zen, Bride of Zen, and Son of Zen have been explorations in how much objective and subjective performance can be achieved with a single gain stage. This extreme simplicity has an aesthetic appeal, which speaks to the purist in audiophiles, and the presumption that simple circuits sound better. At least one "objectivist" has complained (objected?) that the Zen projects do not measure up compared with more sophisticated and complex amplifiers. This is mostly true, but beside the… More...

Zen Amplifier Revisited — Nelson Pass / 1994

I must say that I have been very gratified by the response to the Zen amplifier from the last issue of TM. Since writing the article I have had an opportunity?to build another 25 copies of the amplifier, listen to it on a larger variety of loudspeakers, absorb criticism from the readership, and generally meditate on the project. Areas of criticism of the design all relate to the objective, measurable performance, but in addressing them, I found that the subjective performance improved with the measurements. All of the changes are performed without altering the original topology of the project amplifier.… More...