Previously Featured Builds

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Peter Daniel

Peter Daniel

It seems like Zen projects become popular again after almost 10 years from their beginning. And since competition is knocking… More...
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Andrea Pirovano

Andrea Pirovano

Hello Pass crew, these are some photos of my DIY A30. My personal interpretation of Nelson's design uses off-the shelf… More...

A75 Part 1 — Norman Thagard & Nelson Pass / 1992

READERS' REQUESTS FOR more power are reasonable, but not interesting enough to justify another article. Hanging some output transistors on the original and beefing up the power supply is best left as an exercise to the reader. While the A75 delivers more power, particularly into low-impedance loads, that is not the primary goal of this project. We wish to introduce more advanced concepts in amplifier design, including balanced inputs, dual differential inputs, true DC response, cascode and folded cascode operation, tiered and regulated supplies, operation with and without feedback, and details of designing with the new generation of power MOSFETS.… More...

Audio, Distortion and Feedback — Nelson Pass / 2008

Audiophiles seem to revel in minor controversies – vinyl vs CD's, tubes versus solid state, capacitor, wires, magic dots... and negative feedback. At one extreme, the position is that “feedback makes amplifiers perfect”. At the other extreme, “feedback is a menacing succubus that sucks the life out of the music, leaving a dried husk, devoid of soul”. The former viewpoint usually belongs to so-called “objectivists” who have a fine appreciation for electronic theory and measurements. Their opposites would be the “subjectivists” who emphasize the listening experience and often own tube amplifiers. Accusations are occasionally made that objectivists can't hear, and… More...

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