Cascode Amplifier Design — Nelson Pass / 1978

Lowering distortion in power circuits without compromising their transient response remains a primary problem for designers of audio power amplifiers. Until fairly recently, the favorite technique for removing distortion components in linear amplifiers was to cascade many gain stages to form a circuit having enormous amounts of gain and then using negative feedback to control the system and correct for the many errors introduced by this large number of components. While the sum of these components' distortions may cause large complex nonlinearities, the correspondingly large amounts of feedback applied are generally more than equal to the task of cleaning up… More...

Pearl 2 — Wayne Colburn / 2010

Here is the long awaited sequel to the Pearl phono stage, named after my maternal Grandmother who was good with a sling shot , played piano and organ and occasionally listened to my early Hi-fi efforts if the smoke wasn't too bad. Pearl II addresses the major request received over the years - more gain for moving coil cartridges. Phono stage design is difficult to do well. Everything matters. Any low level phenomenon occurring in the parts of a phono stage shows up greatly amplified at the loudspeaker. This phono stage has about 55 dB gain at 1 Khz, and… More...