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Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.
What does Nelson Pass get out of this interaction?
“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”
Side A So here we are in the New Millennium, and thanks to Tom Holman and THX we’ve got lots of gain in our electronics. More gain than some of us need or want. At least 10 db more. Think of it this way: If you are running your volume control down around 9 o’clock, you are actually throwing away signal level so that a subsequent gain stage can make it back up. Routinely DIYers opt to make themselves a “passive preamp” - just an input selector and a volume control. What could be better? Hardly any noise or distortion… More...
FLATTERED BY THE opportunity to publish a project circuit, the designer is often beset by seemingly contradictory considerations. On the one hand, it is tempting to design a complex circuit as a demonstration of technical prowess; an amplifier with large numbers of esoteric components performing obscure functions. Such an amplifier might be a smorgasbord of electronic technique, featuring class A operation, cascoding, constant current sources, current mirrors, and extra-loop error correction. It would be fascinating to build and perhaps would also sound good. On the other hand, complexity is not a good end in itself and a much simpler circuit… More...
The importance of phase response in the audio chain has been brought to greater focus recently by equipment claims of phase coherency, (the output signal has the same phase relationships as the input signal). It is not particularly obvious that two different frequency components of a signal can go into a device at precisely the same time and emerge at different times, but it is extremely common. All audio components distort the phase of the signal to some degree-even air alters the time alignment of a signal, but the biggest offenders are loudspeakers and their crossover networks. Phase shifts in… More...
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