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Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.
What does Nelson Pass get out of this interaction?
“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”
Single-Ended Class A amplifiers have certainly hit it big in the four years since we began testing the first Aleph 0. So is this just another audio fad, or is there something fundamental about this kind of design, justifying a revival of the old approaches to amplification? When I started designing amplifiers twenty-five years ago, solid state amplifiers had just achieved a firm grasp on the market. Power and harmonic distortion numbers were the important thing, and the largest audio magazine said that amplifiers with the same specs sounded the same. We have heard Triodes, Pentodes, Bipolar, VFET, Mosfet, TFET… More...
In ZV8 we dipped our toes into the waters of power JFET transistors using the new Lovoltech LU1014D in a simple circuit. The focus of the project was on the JFET itself, and except for a cascode transistor the rest of the amplifier used only passive components. Here in four installments we will increase the complexity of the circuitry around the JFET with an eye toward distortion performance surpassing any of the Zen projects to date. Much of this project will make reference to ZV8 (AudioXpress, January 2006 and www.passdiy.com), which discusses the characteristics of the LU1014D power JFET and… More...
The popularity of the Zen projects points out the interest in very simple linear circuits. They are intended to fuel that interest. The Zen, Bride of Zen, and Son of Zen have been explorations in how much objective and subjective performance can be achieved with a single gain stage. This extreme simplicity has an aesthetic appeal, which speaks to the purist in audiophiles, and the presumption that simple circuits sound better. At least one "objectivist" has complained (objected?) that the Zen projects do not measure up compared with more sophisticated and complex amplifiers. This is mostly true, but beside the… More...
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