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Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.
What does Nelson Pass get out of this interaction?
“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”
Cue the Theremin music! This article is about building your own all-FET Circlotron. It smashes atoms. No, strike that. It won’t smash atoms like a cyclotron, but it has a really cool name and it is, technically speaking, powered by atoms and very, very good at amplifying music. Alpha M. Wiggins of Electro-Voice is generally recognized as the inventor of the Circlotron amplifier although other inventors developed similar circuits around the same time period in the 1950’s. The Circlotron’s transformer-coupled vacuum tube output circuit, a floating bridge, was often drawn in a circular fashion; hence the name. Later, Circlotron-type output… More...
Lowering distortion in power circuits without compromising their transient response remains a primary problem for designers of audio power amplifiers. Until fairly recently, the favorite technique for removing distortion components in linear amplifiers was to cascade many gain stages to form a circuit having enormous amounts of gain and then using negative feedback to control the system and correct for the many errors introduced by this large number of components. While the sum of these components' distortions may cause large complex nonlinearities, the correspondingly large amounts of feedback applied are generally more than equal to the task of cleaning up… More...
I must say that I have been very gratified by the response to the Zen amplifier from the last issue of TM. Since writing the article I have had an opportunity?to build another 25 copies of the amplifier, listen to it on a larger variety of loudspeakers, absorb criticism from the readership, and generally meditate on the project. Areas of criticism of the design all relate to the objective, measurable performance, but in addressing them, I found that the subjective performance improved with the measurements. All of the changes are performed without altering the original topology of the project amplifier.… More...
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