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Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.
What does Nelson Pass get out of this interaction?
“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”
U.S. Patent # 5376899 describes a new amplifying circuit topology that takes advantage of the character of special matched balanced amplifiers that are cross-coupled to provide cancellation of distortion and noise. The result provides high performance with very simple linear circuits, better than previous efforts by an order of magnitude. We have dubbed the approach Super-Symmetry (Su-Sy), an homage to particle physics. Super-Symmetry works by exploiting the complementary characteristics of precision matched balanced circuits to differentially reject distortion and noise, and extends this symmetry to make the distortion and noise virtually identical on each half of a balanced amplifying circuit.… More...
This is the second installment of a trilogy of construction projects centered around the performance obtainable from absolutely minimalist circuitry. Part one described the Zen amplifier, a 10 watt single-ended class A power amplifier using a single MOSFET gain stage. In this piece we will examine its preamplifying mate, also a single gain stage MOSFET circuit. A lot of what I might say about this design has already been expressed in the Zen amplifier piece, and will not be repeated here. It is enough to say that I continue to be very intrigued by the sound of very simple topologies,… More...
Conventional wisdom holds that a pure voltage source amplifier is ideal for audio applications, and generally designers of loudspeakers work to that assumption. This belief has particularly been dominant since the development of high power solid-state amplifiers that began in the 1960’s. A small minority of audiophiles thinks otherwise, and these are often people using low wattage tube amplifiers with unusual looking speakers. Well, of course entertainment is full of fringe elements. A couple of years ago, Kent English and I were playing around with various ribbon tweeters, noting how the ribbons themselves seemed perfectly happy being driven by a… More...
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