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Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.
What does Nelson Pass get out of this interaction?
“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”
The importance of phase response in the audio chain has been brought to greater focus recently by equipment claims of phase coherency, (the output signal has the same phase relationships as the input signal). It is not particularly obvious that two different frequency components of a signal can go into a device at precisely the same time and emerge at different times, but it is extremely common. All audio components distort the phase of the signal to some degree-even air alters the time alignment of a signal, but the biggest offenders are loudspeakers and their crossover networks. Phase shifts in… More...
Audiophiles seem to revel in minor controversies – vinyl vs CD's, tubes versus solid state, capacitor, wires, magic dots... and negative feedback. At one extreme, the position is that “feedback makes amplifiers perfect”. At the other extreme, “feedback is a menacing succubus that sucks the life out of the music, leaving a dried husk, devoid of soul”. The former viewpoint usually belongs to so-called “objectivists” who have a fine appreciation for electronic theory and measurements. Their opposites would be the “subjectivists” who emphasize the listening experience and often own tube amplifiers. Accusations are occasionally made that objectivists can't hear, and… More...
The Zen has proven to be a popular and enduring do-it-yourself amplifier. The design addresses the audiophile's enthusiasm for singleended amplification, but is even more interesting for its exploration of the performance available at the extremes of simplicity, having only a single gain device. Judging by the mail, more than a thousand of them have been constructed, not including a couple of commercial rip-offs. Incoming mail is an excellent barometer of interest and taste among the readers. Letters suggesting design improvements provide the direction and the excuse to proceed with the Son of Zen. It responds to the following common… More...
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