Arch Nemesis — Nelson Pass / 2010

A poster of Einstein once said, “Things should be made a simple as possible, but no simpler”. This can apply to audio amplifiers, but if they are evaluated subjectively, the simplicity thing can get a little of of hand. Of itself, minimalism exerts a strong aesthetic attraction, and there is a reasonable belief that fewer components in the signal path allows more information to get through with less coloration. If like me you are interested in understanding of how we hear distortions with our brains (instead of our meters), you might appreciate that simple circuits help isolate these phenomena. I… More...

Current Source Amplifiers and Sensitive Full Range Drivers — Nelson Pass / 2004

Conventional wisdom holds that a pure voltage source amplifier is ideal for audio applications, and generally designers of loudspeakers work to that assumption. This belief has particularly been dominant since the development of high power solid-state amplifiers that began in the 1960’s. A small minority of audiophiles thinks otherwise, and these are often people using low wattage tube amplifiers with unusual looking speakers. Well, of course entertainment is full of fringe elements. A couple of years ago, Kent English and I were playing around with various ribbon tweeters, noting how the ribbons themselves seemed perfectly happy being driven by a… More...

Bride of Zen — Nelson Pass / 1994

This is the second installment of a trilogy of construction projects centered around the performance obtainable from absolutely minimalist circuitry. Part one described the Zen amplifier, a 10 watt single-ended class A power amplifier using a single MOSFET gain stage. In this piece we will examine its preamplifying mate, also a single gain stage MOSFET circuit. A lot of what I might say about this design has already been expressed in the Zen amplifier piece, and will not be repeated here. It is enough to say that I continue to be very intrigued by the sound of very simple topologies,… More...