About Pass DIY

Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.

What does Nelson Pass get out of this interaction?

“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little  differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”

The Kleinhorn Part 2 — Nelson Pass / 2004

If you saw part one of this project (AudioXpress, January 2005), you know that the KleinHorn is a big toy, and you can imagine that it’s hard to resist playing with it further. When Chris and Matt built the horns last year, they made different driver chambers and replaceable front baffles, so that it would be easy to try different loudspeaker drivers. In this part we will first briefly explore some of the effects experienced with different amounts of absorbent stuffing in the horn as presented in Part 1. Then I will describe the effort to add scary deep bottom… More...

Son of Zen — Nelson Pass / 1997

The Zen has proven to be a popular and enduring do-it-yourself amplifier. The design addresses the audiophile's enthusiasm for singleended amplification, but is even more interesting for its exploration of the performance available at the extremes of simplicity, having only a single gain device. Judging by the mail, more than a thousand of them have been constructed, not including a couple of commercial rip-offs. Incoming mail is an excellent barometer of interest and taste among the readers. Letters suggesting design improvements provide the direction and the excuse to proceed with the Son of Zen. It responds to the following common… More...

Ground Loops — Kent English / 2002

Your brand new component is hooked up, fresh from the box, and the fi rst time you power it up is a sonic disaster; it hums, it buzzes and in general sounds absolutely dreadful. Glaring at your equipment or dealer doesn’t help and twisting knobs only makes the noise worse; what now? From years of experience we fi nd that the vast majority of excessive noise in audio electronics can be traced directly to poor grounding techniques. While we recommend balanced interconnects on your audio components whenever possible, it must be understood that balanced interconnects address only the problems of… More...

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