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Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.
What does Nelson Pass get out of this interaction?
“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”
Conventional wisdom holds that a pure voltage source amplifier is ideal for audio applications, and generally designers of loudspeakers work to that assumption. This belief has particularly been dominant since the development of high power solid-state amplifiers that began in the 1960’s. A small minority of audiophiles thinks otherwise, and these are often people using low wattage tube amplifiers with unusual looking speakers. Well, of course entertainment is full of fringe elements. A couple of years ago, Kent English and I were playing around with various ribbon tweeters, noting how the ribbons themselves seemed perfectly happy being driven by a… More...
Your brand new component is hooked up, fresh from the box, and the fi rst time you power it up is a sonic disaster; it hums, it buzzes and in general sounds absolutely dreadful. Glaring at your equipment or dealer doesn’t help and twisting knobs only makes the noise worse; what now? From years of experience we fi nd that the vast majority of excessive noise in audio electronics can be traced directly to poor grounding techniques. While we recommend balanced interconnects on your audio components whenever possible, it must be understood that balanced interconnects address only the problems of… More...
Audiophiles seem to revel in minor controversies – vinyl vs CD's, tubes versus solid state, capacitor, wires, magic dots... and negative feedback. At one extreme, the position is that “feedback makes amplifiers perfect”. At the other extreme, “feedback is a menacing succubus that sucks the life out of the music, leaving a dried husk, devoid of soul”. The former viewpoint usually belongs to so-called “objectivists” who have a fine appreciation for electronic theory and measurements. Their opposites would be the “subjectivists” who emphasize the listening experience and often own tube amplifiers. Accusations are occasionally made that objectivists can't hear, and… More...
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