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Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.
What does Nelson Pass get out of this interaction?
“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”
The Zen has proven to be a popular and enduring do-it-yourself amplifier. The design addresses the audiophile's enthusiasm for singleended amplification, but is even more interesting for its exploration of the performance available at the extremes of simplicity, having only a single gain device. Judging by the mail, more than a thousand of them have been constructed, not including a couple of commercial rip-offs. Incoming mail is an excellent barometer of interest and taste among the readers. Letters suggesting design improvements provide the direction and the excuse to proceed with the Son of Zen. It responds to the following common… More...
33 years ago I decided to build a big horn system. Constructed in the dorm library over Christmas break, the result was dubbed The Claw, a straight exponential horn 9 feet long with a 42 Hz expansion curve and a 50 sq ft mouth. We mounted a JBL LE15A woofer in the throat and used a JBL 375 compression driver and horn for about 500 Hz on up. No matter where we pointed it, the cops showed up every time. I've always wanted to build a stereo pair capable of even lower frequencies, and these days I am fortunate enough… More...
Side A So here we are in the New Millennium, and thanks to Tom Holman and THX we’ve got lots of gain in our electronics. More gain than some of us need or want. At least 10 db more. Think of it this way: If you are running your volume control down around 9 o’clock, you are actually throwing away signal level so that a subsequent gain stage can make it back up. Routinely DIYers opt to make themselves a “passive preamp” - just an input selector and a volume control. What could be better? Hardly any noise or distortion… More...
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