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Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.
What does Nelson Pass get out of this interaction?
“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”
In 1969 John Linsley-Hood wrote in Wireless World: During the past few years a number of excellent designs have been published for domestic audio amplifiers. However, some of these designs are now rendered obsolescent by changes in the availability of components, and others are intended to provide levels of power output which are in excess of the requirements of a normal living room. Also, most designs have tended to be rather complex. In the circumstances it seemed worth while to consider just how simple a design could be made which would give adequate output power together with a standard of… More...
One of the performance issues raised by the original Son of Zen (Audio Electronics, #2, 1997) was its efficiency figure, which was charitably described as 4% (500 watts in, 20 watts out). You may recall that this was dictated by the original requirements - no feedback, no capacitors in the signal path, and a single gain stage. Zen Variation 6 relaxed the requirements on feedback and capacitors in order to provide a tutorial exercise about “super-symmetric” feedback. The performance was improved in distortion and output impedance, but the efficiency was only slightly improved, largely because we used most of the… More...
A poster of Einstein once said, “Things should be made a simple as possible, but no simpler”. This can apply to audio amplifiers, but if they are evaluated subjectively, the simplicity thing can get a little of of hand. Of itself, minimalism exerts a strong aesthetic attraction, and there is a reasonable belief that fewer components in the signal path allows more information to get through with less coloration. If like me you are interested in understanding of how we hear distortions with our brains (instead of our meters), you might appreciate that simple circuits help isolate these phenomena. I… More...
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